Eliminate feedback and get a better sound for your band and your audience
Break down the task of EQ, so that you can get to work, avoid overwhelm and deliver great shows that you love mixing, every single time.
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Good Mix vs. Bad Mix
EQ is the the difference between a good and a bad mix.
EQ can seem complex, there are lots of charts to study and frequencies to learn.
You may feel like you need to have "The Ear" for it.
Maybe you've been told to simply "use your ears".
Without a proper strategy, you can end up making things sound worse.
EQ is like any other skill; it can be learned. But you need to be taught properly.
There's a process to follow, and even the pros who say they "just use their ears" are actually drawing on years of experience and a refined process.
If you have feedback, muddy vocals, or an unhappy, mastering EQ could be your solution.
Once you learn to use EQ correctly, you'll love every show you mix and build a reputation for great sound.
I'm Andrew
And I'd like to teach you EQ.
Over the last 10 years of mixing shows, I’ve taught myself how to break down the task of EQ, so that I can get to work, avoid overwhelm and deliver great shows every single time.
I can explain the fundamentals of EQ to you in a clear and easy to understand manner, you'll get it in no time.

"Hands on instruction with good, sound advice"
Don't just take my word for it! Here's the results that students are getting:

"There was a lot of feedback and now very little to none"

"Extremely concise and simple"

Just Use Your Ears
I started working with music when I was 22 (back in 2012), and at first, everything I touched sounded bad.
When I learned about EQ, it actually made things worse! People told me to 'just use my ears,' but that didn’t help.
Eventually, I learned that EQ is a skill you can follow step by step.
Even now, I don’t just 'use my ears.' I follow a process to figure out what to focus on.
You can’t just throw EQ on a mix and hope it works.
But if you practice and take it one step at a time, you can master EQ. Break problems into small parts, and you’ll get the hang of it.

Are your vocals muffled or is your band unhappy?
Do you struggle with feedback or harsh sounds?
If EQ isn’t working for you, try looking at it in a new way.
It’s time to learn a new way to use EQ.

People will love your mixes because they sound good.
With great EQ, your vocals will be clear. Your band will sound great. You’ll stop feedback & harsh sounds.
Learn EQ From The Ground Up
Master Live EQ is a live sound course for beginners.
Learn to stop feedback and improve your mixes.
Make your band and audience happy with great sound.
Follow easy steps, stay in control, and enjoy mixing every time.

Master live EQ is taught over 10 video lessons.
In total about 2 hours and 30 minutes of content.
It covers everything you need to know but is compact enough to learn quickly and revisit.
PART 1: EQ fundamentals
PART 2: Building an EQ strategy
PART 3: Developing your EQ strategy
PART 4: Balancing the frequency spectrum
PART 5: Best practices
PART 6: Beating Feedback

You could study audio at college or university to learn about EQ.
Studying requires a lot of both time and money.
If you’re lucky you'll get free tuition or a scholarship, but you'll will still use 3 -4 years of your life.
You’ll use 90% of that time learning about things other than EQ.
I spent 24 weeks across 2 semesters learning about sound for video games.
That’s really cool but not exactly useful as a live sound engineer…
Spending all that time is the best-case scenario.
you'll probably need tuition fees, accommodation, a car, and a night on the town here and there,
Now you’ve easily spent $100,000 before you’re “ready” to mix a show.
You'll learn the theory, but you may not learn how to use it in real life.
Many professors are academics. They know a lot, but they don’t mix live shows. They don’t understand the stress of a live show.
They don’t know how important a flexible plan is. It helps you stay calm when things get stressful.
Forget 4 years.
Learn all you need to know about EQ in just two hours.
Do you play videogames?
For the cost of a shiny PlayStation game, you can learn from someone who teaches audio AND mixes shows
Do you want to learn from people who don’t mix, or do you want to be the one creating great shows?
Master Live EQ starts at just $89!
Enroll Now
30 day full refund gurantee
If you’re thinking about spending money on audio education, invest in Master Live EQ.
There’s a 30-day refund policy. If the course isn’t right for you, email me, and I’ll refund you.
You don’t need to explain why. If you’re unhappy, just let me know within 30 days.

The next steps
EQ isn’t the only skill you need to mix a great show.
That’s why I’ve added bonus guides to help you with other key parts of live mixing.

- Learn why we use compression, so you know when to use it and when to skip it.
- Know which instruments need compression—save time by using it right away.
- Learn when not to use compression to keep more life in your mixes.
- Avoid common problems like feedback from bad compression.
- Get quick, common compression settings to dial in your mix faster.
Compression cheat sheet

- Learn what gating is for and how to avoid feedback with noise gates.
- Know when to use a gate so you can decide quickly.
- Avoid common problems and keep your sound natural on every channel.
- Follow a step-by-step guide to set everything up with confidence.
- Use a sneaky trick to fix poorly tuned drums with your gate.
Gating cheat sheet
It's not for everyone
This course is not for everyone so I want you to make an informed choice.
This course is not for you if:
- You want a chart that will show you all the frequencies to cut and boost for each instrument.
- You are not self-motivated and are unlikely to commit to the work.
- You want an instant fix for bad mixes, this will take time and effort beyond the course material.
You have a choice
Make a small investment with a massive impact on your future.
Picture yourself leaning over the mixer in a flow state.
The band has just started playing, your hands are moving quickly.
Your brain steps logically through the sounds that you hear and how they have changed since soundcheck.
“This is starting to sound pretty great” you think to yourself.
It’s not a shock to you, you’re used to it, you’ve spent time honing your craft.
Now you craft mixes like a professional.
No feeback, and everyone is happy.
Enroll NowThe promoter leans in to tell you that it sounds fantastic.
The crowd is alive and pulsing with energy.
After the show, someone from the audience compliments you on the great sound.'
You clear the stage as the band arrives to collect their equipment, all of them are on cloud 9.
They can’t stop telling you how grateful they are.

This isn’t a fantasy
These things happen. They happen to me. I’m not trying to brag. These moments are the best part of mixing live sound, and I want you to experience them as well.

What’s the alternative?
You choose a massive investment with a small impact on your future.
Picture yourself leaning over a desk, at a computer, trying to get your head around audio plug-in design. You only wanted to mix shows, to be part of something exciting.
You’ve been at this for 3 years, you’re broke, you know a little about a lot of different things within the audio industry and your professors encourage you to go to conferences. When you experience live events it’s as a bystander.
You think about talking to the engineer.
But all you manage is:
"Thanks for an great show".
You go home and bury your head in spreadsheets, trying to make sense of all the data you’ve gathered.
It's about the fundamental frequency of the letter A in the local dialect.
It’s a long number in a long list.
It means nothing and gives you no satisfaction.

This is also not a fantasy.
This also happened to me.
I did enjoy my time at university but it brought me no closer to where I wanted to be, mixing shows.
Where do you want to be?
If the answer is mixing live shows then invest your money and time into Master Live EQ and take a step closer to a life of excitement, adrenaline, flow and great shows.
⇢ Eliminate Feedback And Get a Better Sound for Your Band And Your Audience â‡
Break down the task of EQ, so that you can get to work, avoid overwhelm and deliver great shows that you love mixing, every single time.
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